Why just write poems when you can write better ones? This course is built on the notion that the most exciting writing begins after the first draft. It is specifically for folks who believe that writing poems just to express oneself is like using the Internet just for email. After all, poetry can change the way you and your readers think of the world and its inhabitants; it can break new ground for language; turn a blank sheet of paper into a teeming concert of voices and music.
Though any of us may have the potential to make that happen, having an understanding of how several tools of poetic composition can be used (and audaciously “mis-used”) gives you more ways to try (and if we do this right, we might surprise ourselves most of all).
We'll cover key poetic terms and devices by studying poems by a handful of modern and contemporary poets and then get a chance to try our own hand at writing new poem drafts from a select number of prompts. Throughout the course you will have the opportunity to workshop your poem drafts and get feedback on your work, working towards a more polished poem.
Sharpened Visions: A Poetry Workshop
von
California Institute of the Arts
Lehrplan - Was Sie in diesem Kurs lernen werden
Woche
11 Stunde zum Abschließen
Introduction and the Poetic Line
Poetry orchestrates its music, arguments, tensions, and environment via arrangements of language into lines and stanzas. This week we’ll address the importance of the line break, perhaps the most conspicuous, signature tool in the poet’s toolkit. Do you break more for sound, for sense, visual effect, shape, a mix of several? We’ll participate in several line break exercises and remix found poems. Also: prepare for your first quiz and a fun first writing prompt.
8 Videos (Gesamt 20 min), 4 Lektüren, 1 Quiz
8 Videos
The Workshop Process3m
Workshopping in a MOOC, part 11m
The Starting Line4m
Rack ‘em Up: Gwendolyn Brooks' We Real Cool1m
We/Read Close. We/Take note. 4m
Game Over1m
Poetry Prompt 1: Line2m
4 Lektüren
Syllabus5m
Workshopping in a MOOC, part 28m
Course Resources3m
Week 1 Summary8m
1 praktische Übung
On the Line10m
Woche
21 Stunde zum Abschließen
Abstraction and Image
Abstraction doesn’t mean “deep,” and image doesn’t mean “picture.” Images are typically understood as anything you can literally touch/taste/see/hear/smell, and abstractions are those things for which we have symbols (a clock for “time,” a heart for “love”) but no image. Abstractions and images may fill our poems, but how can you tell what’s what, and how can you leverage them to compelling ends? This week we’ll work at finding new symbols to replace clichéd ones for abstractions and we’ll work at crafting images that do more than add furniture to a poem, but create systems of relationships, moods, and even style.
5 Videos (Gesamt 14 min), 1 Lektüre, 1 Quiz
5 Videos
Beauty’s in the Eye of the Bewildered: Harryette Mullen's [if your complexion is a mess.]1m
The Wonky Chocolate Factory4m
Read in the Shade2m
Poetry Prompt 2: Abstraction & Image2m
1 Lektüre
Week 2 Summary8m
1 praktische Übung
Abstraction & Image10m
Woche
33 Stunden zum Abschließen
Metaphor and Other Formulas of Difference
Most of us think of simile and metaphor, personification and other similar figures of speech as being about similarities between objects, concepts, and entities. But the juice in these formulas comes from how different the two things being compared seem to be. This is why writing: “the shark moved like a fish” is, alone, a lot less interesting than saying “the shark moved like a squad car.” We’ll talk about how playing with difference via juxtaposition can create a range of poetic effects. Then you’ll write a poem built of one robustly developed or several contrasting juxtapositions.
We'll end this module with yet another quiz, and our first poetry workshop -- facilitated through a peer assessed assignment.
5 Videos (Gesamt 18 min), 1 Lektüre, 2 Quiz
5 Videos
Home Cooking: Victor Hernández Cruz's Red Beans1m
Lilies and Lava 4m
After Dinner Meant1m
Poetry Prompt 3: Metaphor2m
1 Lektüre
Week 3 Summary8m
1 praktische Übung
Metaphor10m
Woche
41 Stunde zum Abschließen
Rhyme
This week we’ll explore how rhyme leverages patterns of sameness and how we can estrange similarity for compelling poetic effects. We’ll check out examples of “rhyme”—sonic, visual, conceptual—from outside of poetry too.
5 Videos (Gesamt 14 min), 1 Lektüre, 1 Quiz
5 Videos
There’s No “A” in Showdown: Cathy Park Hong's Ballad in A1m
Lipo-what?!5m
What That Was2m
Poetry Prompt 4: Rhyme1m
1 Lektüre
Week 4 Summary8m
1 praktische Übung
Rhyme10m
Woche
53 Stunden zum Abschließen
Rhythm
All spoken language has rhythm, the trick is working the rhythm in such a way that drives your poem toward the effects you’re after. Maybe you want a fluid, seductive, propulsive rhythm. Perhaps something that halts or stutters. We’ll use traditional western concepts of meter as a means to open the door to this discussion, but we may leave them at the door upon entry.
6 Videos (Gesamt 21 min), 1 Lektüre, 2 Quiz
6 Videos
Rock “The Bells”: Edgar Allan Poe's The Bells1m
Put A Ring On It4m
For Whom the Bell Falls4m
Clap Clap Clap54
Poetry Prompt 5: Rhythm2m
1 Lektüre
Week 5 Summary8m
1 praktische Übung
Rhythm10m
Woche
63 Stunden zum Abschließen
Sharpened Poetry: Revision Strategies
When you revise a poem, you are not trying to dull the emotional flash of your first draft. You must, instead, intensify it. In this, our final week, we’ll discuss the difference between revision and editing, the art of reading your own work critically, and the beauty of drafts. For your final peer review, you’ll turn in (and in turn, assess) a revision of one of the poems from the preceding 5 modules.
11 Videos (Gesamt 26 min), 1 Lektüre, 1 Quiz
11 Videos
What is Revision?3m
Where Do I Start Revising?2m
How Do I Start Revising a Poem I’ve Written in Form?3m
How do I Incorporate Workshop Feedback Into the Revision Process?4m
Revision Recap41
Give Yourself A Break1m
Furniture and Figures2m
Just in the Nick of Rhyme2m
Rhythm-a-Ning-a-Gain3m
Final Thoughts1m
1 Lektüre
Course Credits8m
67%
nahm einen neuen Beruf nach Abschluss dieser Kurse auf
44%
ziehen Sie für Ihren Beruf greifbaren Nutzen aus diesem Kurs
Top-Bewertungen
I have learned so much and I love D's energy and the avid participation of the other students. Will definitely pass on what I've learned. Can't wait for more courses like this in the future! :)
Wonderful, learning about writing poetry here is IT! I will always use this to go forward and once in a while come back to freshen up. Thank you, there's nothing else out there like this class!
Dozent
Douglas Kearney
Assistant ProfessorProgram in Creative Writing, College of Liberal Arts, University of Minnesota
Über California Institute of the Arts
CalArts has earned an international reputation as the leading college of the visual and performing arts in the United States. Offering rigorous undergraduate and graduate degree programs through six schools—Art, Critical Studies, Dance, Film/Video, Music, and Theater—CalArts has championed creative excellence, critical reflection, and the development of new forms and expressions.
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